Lydian Chromatic Concept Theory basically asserts that the lydian scale is more [It] implies an evolution to higher levels of tonal organization. The LYDIAN TONIC, as the musical “Star-Sun,” is the seminal source of tonal gravity and organization of a. Lydian Chromatic scale. [ ] UNITY is the state in. 5 Jan The Lydian Chromatic Pentatonic Concept- now that’s a really catchy George Russell’s Lydian Chromatic Concept of Tonal Organization.

Author: Kazizahn Zulurr
Country: Spain
Language: English (Spanish)
Genre: Art
Published (Last): 9 March 2010
Pages: 140
PDF File Size: 12.14 Mb
ePub File Size: 7.87 Mb
ISBN: 984-1-92378-900-2
Downloads: 83314
Price: Free* [*Free Regsitration Required]
Uploader: Natilar

Tonl up or log in Sign up using Google. Vertical, Horizontal, and Supra-Vertical. It even extends beyond Western music to some ancient forms of non-Western music.

Simply to imitate what others have played and composed is not enough. I’ve been looking for the same thing. His hard-cover book, the fourth edition can be ordered directly from Concept Publishing through Amazon.

The harmonic series is the most natural expression of sound at its fundament. He has had the honor of assisting George and Alice Russell in preserving and chromatjc this exceedingly meaningful work ever since. To this end, the fifth then establishes itself as the basic unit of tonal gravity whereby.

The Lydian Chromatic Concept of Tonal Organization

Students of this work are able to adapt tue own musical perspectives to the ideas presented by the Lydian Chromatic Concept of Tonal Organization. If you happened to read the top of my answer, you would have seen that I said that the theory “asserts” as in an inference that the lydian scale is more closely aligned to the natural, universal properties of sound than the conventional major scale, not that the theory itself states it explicitly.


Therefore, the essential difference between these two scales is that the Lydian a single tonic scale is in a state of unity with itself, and the Major Scale, with its two tonics, is in a state of resolving.

I want to come back because everywhere you’ll want to be, George Russell’s music will be heard. These ideas are critical to understanding the significance of this theory, and are too involved and elaborate to post on this website.

The word “Lydian” is here derived from one of the classical Greek scale modes. What is the primary difference between the Lydian Chromatic Concept and all other theories of music?

There are 3 states of tonal gravity: It may be beneficial for you to consider adopting a reciprocal attitude to digesting the Concept whereby the energy you give while implementing its ideas will fuel your passage through unexpected doors of discovery.

Here was a means for breaking free from tonal cliches while maintaining some amount of restraint.

At the time modal jazz Thus the Lydian Chromatic Scale and all its derivatives contain only Pythagorean intervals. Many people outside of music are drawn to The Concept due to its objective view of tonal gravity. Tonal Gravity is measured vertically as well as horizontally.

The og robust, comprehensive and detailed current volume adds never before published depth and dimension through exhaustive examples of analysis, scales, background information and test examples for the student.

The art and science of tonal gravity Fourth Second printing, corrected, ed. What are the extra-musical considerations of the Lydian Chromatic Concept? Simply put, the basic building block of tonal gravity is the interval of the perfect fifth.


George Russell’s Lydian Chromatic Concept of Tonal Organization

This will require you to examine some basic questions about the meaning behind an organization of musical tones and why you play or write music. One of the most comprehensive and sensitive reviews ever published on George Russell’s music with primary focus on the ” New York, N. By seeking what music ITSELF is telling us about its own elemental structure, The Concept supplies the necessary means to conceive that a chromatuc field of tones exists as a self-organized order of unity.

This focal point can help you decipher between the superficial, mechanical associations you may be accustomed to making in your compositions or improvisations and the quality of consciousness that allows many levels of subtlety to come into play. Russell’s ensembles, collaborated with him or studied “The Concept” with him. Are there any connections drawn in The Concept between music and psychology?

Russell in along with a certification directly from George Russell to teach “The Concept” privately and in seminars. Milestones, which was based on two modes The focus, attention, and consciousness you put into the study of the Concept will ofganization greater meaning and an expansion of your musical understanding, regardless of the stylistic genre of music to which you apply it.