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The build to the final section will tax bands to the full and contains a subtle key change or does it?
de Meij, Johan – Extreme Make-over (Score & Parts)
Bb Tenor Sax 1. Klezmer Classics Planet Earth Score: Bb Bass Tuba B. Quartet playing is something of a lost art, and playing with an intuitive sense of balance and with recognition of the main thematic line is the key.
In Tchaikovsky arranged this movement for cello and orchestra. Bb Bass Clarinet 2. Trombone I C 2. Additional Parts [for European countries only] 1. Eb Alto Sax II 2. The middle section is a tad overlong and can be seen as an attempt to rest keij players before the final onslaught.
Eb Bass Tuba T. Besides composing, Johan de Meij is also very active in various musical fields. It is however a work of real beauty and elegance allied to some amazingly complex technical writing. Anticipating the acore theme from the finale, a timpani solo forms the transition to the Alla marcia. F Horn I 2. Johan de Meij Amsterdam, September Instrumentation 1.
This is a cracker of a test piece.
It is marked Andante Cantabile as befits the original and could easily win or lose the contest for any band if approached in the wrong manner. Eb Horn II 1. There then follows an extended build up when the sense of change is palpable entries are marked ppp, but sense of measured heart beat is audible. Here lightness returns, but with complex undercurrents in the horns and baritones.
Bb Bass Tuba T. Bb Trombone II T. The addition of the lower second results in a completely new sound world, mejj the first metamorphosis. Johan de Meij Johan de Meij Born in Voorburg, studied trombone and conducting at the Royal Conservatory of Music at The Hague and has earned international fame as a composer and arranger. As the title suggests the work develops in almost chameleon like forms from the kernel of the first four notes of the opening mej. His other larger compositions, such as Symphony no.
Eb Alto Sax I 2.
Johan makelver Meij Amsterdam, September Bb Trumpet IV 2. Again the volume throughout is high, so the key may well be to play it just below maximum as to create the effects that are written clearly into the score. F Horn III 2.
It ends with a quote from Tchaikovsky’s 4th Symphony, before we come to what will be a section of writing that will surely be talked about for years to come.
Congratulations are therefore warranted to the organisers and especially the composer for giving us another European test piece that deserves greater exposure than just this single weekend. Bb Clarinet I 6. Finally, at we come to final climax with a subtle little echo of the Overture underscored in the 3rd cornet and flugel and with the bells peeling.
2005 European Championships – Extreme Make-Over – Set Test Piece
It is a brilliant idea that comes startlingly to life. In fact this section takes close on three minutes to play, but the effect can be spectacularly beautiful. The piece itself is about 16 and a half minutes long and basically falls into a number of clearly defined sections. Hurtling through each instrumental group, it leads us to a festive conclusion. F Horn IV 2.
Eb Horn III 1. Underscoring this all is an extended Marimba solo which becomes more and more complex as it heads to its conclusion and is joined finally by the xylophone and the remaining brass players.
Eb Horn IV 2. His catalogue consists of original compositions, symphonic transcriptions and arrangements of film scores and musicals. Bass Bb Trombone T. Bb Clarinet III scpre. There is use of dynamic contrast as well as articulation nuance whilst the need makever balance and tuning is paramount. In Extreme Make-over this theme is introduced in its original form by a brass quartet consisting of two cornets, alto horn and euphonium. Bb Trombone I T.
Again and again little motifs and themes are heard and the detail in the writing is immense. Trombone II C 2. Eb Baritone Sax 2. This is where the cornet and horn players take to the bottle to create a gamelan effect which sounds like a small fairground organ in timbre. F Horn II 2.