CHEAP AMUSEMENTS KATHY PEISS PDF

Robert P. Smith; Kathy Peiss. Cheap Amusements: Working Women and Leisure in Turn-of-the-Century New York. Philadelphia: Temple. Kathy Peiss, Cheap Amusements: Working Women and Leisure in working- class women in New York City during this period, Kathy Peiss has written a. Read “Cheap Amusements” by Kathy Peiss with Rakuten Kobo. What did young, independent women do for fun and how did they pay their way into New York.

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Cheap Amusements argues that a crucial part of the “reorientation of American culture” originated from below, specifically in the subculture of working women to be found in urban dance halls and amusement resorts.

Cheap Amusements: Working Women and Leisure in Turn-of-the-Century New York

American Historical Association members Sign in via society site. By examining the rituals and styles they adopted and placing that culture in the larger context of urban working-class life, she offers us a complex picture of the dynamics shaping a working woman’s experience and consciousness at the turn-of-the-century.

Working-class women, by and large, identified with the men of their own class before the women of the bourgeoisie; they resented bourgeois women’s individualism and identified with the labour struggle instead if they were political and even if they were not, they preferred to mingle with men – and enjoyed the freer sexual culture of amusemnts working class – to stuffy, stultifying notions of respectability. These new social rituals were often constructed in commercial dance halls, cheap theaters and amuseemnts parks, where female participation was profitable and therefore encouraged.

Women were paid a lot less then men so they got men to spend money on them. Bureau of the Census, and investigative reports of the time.

The New Humor in the Progressive Era.

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Cheap Amusements – Kathy Peiss – Google Books

The World Split Open. Sign In Forgot password? By examining the rituals and styles they adopted and placing that culture in the larger context of urban working-class life, she offers us a complex picture of the dynamics shaping a working woman’s experience and consciousness at the turn-of-the-century.

She accurately asserts, however, that leisure patterns varied greatly by class, nativity status, and educational level. Nov 17, Rachel Jones rated it liked it. Don’t already have an Oxford Academic account?

Cheap Amusements: Working Women and Leisure in Turn-of-the-Century New York by Kathy Peiss

Working Women and Leisure in Turn-of-the-Century New Yorkwork and leisure opportunities were open to women in the nineteenth century New York, leading to a new beginning in American culture. Close Report a review At Kobo, we try to ensure that published cneap do not contain rude or profane language, spoilers, or any of our reviewer’s personal information.

The autonomous heterosocial culture young working-class women created was also a source of cross-class conflict. Probably going to be useful for my thesis. A great attempt to be balanced and gives all sides of issues a voice.

Interesting idea, but not enough analysis to really yield any valuable info. Women, Art and the New Deal. Some immigrants, according to Peiss, rejected American culture. Most activities were heterosocial, focused on meeting men, dating and romance. No trivia or quizzes yet. Katthy only does her analysis lead us to new insights into working-class culture, changing social relations between single men and women, and urban courtship, but it also gives us a fuller understanding of the cultural transformations that gave rise to the commercialization of leisure.

Notify me of new comments via email. The humor at the movies would construct the idea of modern womanhood, based on the challenges of feminism and patriarchal order. Ultimately, this influenced a new mass culture of leisure, which in turn, created a new set of drawbacks for women.

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Temple University Press Amazon. This site uses cookies. Young working-class women also experimented with identity, trying on new images by adopting the cultural forms around them, including music and language. The argument is well written and clear, however Peiss could say a whole lot more by saying less.

A big help for my research, as well as being peids to read. Fascinating look at what working women did for fun in the early years of the 20th century. Kathy Peiss follows working women into saloons, dance halls, Coney Island amusement parks, social clubs, and nickelodeons to explore the culture of these young women between and as expressed in leisure activities.

In the last chapter, chapter seven, Peiss describes how bourgeois women tried to create some kind of cross-class solidarity among women. Not only does her analysis lead us to new insights into working-class culture, changing social relations between single men and women, and urban courtship, but it also gives us peise fuller understanding of the cultural transformations that gave rise to the commercialization of leisure.

One aspect I found particularly interesting was the phenomenon of “treating”, by which working-class women would expect their male companions to pay the cost of an outing, their entertainment needs, etc.

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Account Options Sign in. At Kobo, we try to ensure that published reviews do not contain rude or profane language, spoilers, or any of our reviewer’s personal information. They segregated youth from family, fostered a amuse,ents expressive culture and were linked to promiscuous sexuality.

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