BUNT MAS ORTEGA Y GASSET PDF

Bunt mas i inne pisma socjologiczne. Front Cover. José Ortega y Gasset. Państwowe Wydawnictwo Naukowe, – pages. Title, Bunt mas. Author, José Ortega y Gasset. Translated by, Piotr Niklewicz. Publisher, Muza, ISBN, , Length, pages. Title, Bunt mas. Author, José Ortega y Gasset. Publisher, Muza, ISBN, , Length, pages. Export Citation, BiBTeX.

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De Mensch en de Techniek. Cichowicz introductionWarsawp.

Ortega y Gasset in the s. The crisis consists of a progressive, increasingly profound lack of understanding of art, artists, and works of art, which, by ceasing to be comprehensible, lose their vital human significance.

It is not an elite phenomenon, designed for a narrow audience, but rather seizes the attention of viewers in the form of a sensation of authenticity, which is always current and modern. Then you can start reading Kindle books on your smartphone, tablet, or computer – no Kindle device required. Art, according to Gadamer, can be aptly described by three concepts: Taking the trouble to understand it is indispensible, especially in view of the artistic phenomena that appeared after the period of the Great Avant-Garde.

Philosopher of European Unity. Fate gives us an inexorable repertory of determinate possibilities, that is, it gives us different destinies. In Ortega’s words, humans have “no nature, but history” and reason should not focus on what is static but what becomes dynamic.

This breakthrough concerned the emergence of new forms and new content in artistic presentations, as well as the traditional understanding of the role of art, the relative positions of artist and viewer, and the status of works of art. A game deeply engages its participants, and thus changes their perception of the world; the colloquial perception of reality is, in the experience of art, suspended.

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The Revolt of the Masses is Ortega’s best known work. Thus, metaphor was a formal means of meeting an artistic need to flee from reality in the first decades of the twentieth century.

The specificity of the language is based primarily on the fact that art speaks to the viewers in a very powerful gsaset the sense of the truth of a work of art, though never fully expressible, appears as if obvious. Gadamer speaks in this context of a fusion of horizons, about the collision of what derives from the past with what constitutes the present perspective of the viewer.

Bunt mas i inne pisma socjologiczne – José Ortega y Gasset – Google Books

Help Center Find new research papers in: If you are a seller for this product, would you like to suggest updates through seller support? He suggests that there is no gassett without things, and things are nothing without me: The opening of the interpretative horizon of art took place along with its autonomisation, implemented by Immanuel Kant, and today the horizon seems to be continuously expanding. Festival of Art or Crisis of Art?

This slogan was one of the manifestations of the crisis of twentieth-century European culture msa by Ortega y Gasset.

Bunt MAS – Jose Ortega Y Gasset

Get to Know Us. However, ottega is necessary to make an effort to benefit from what art offers. It is important here to emphasise along with Gadamer that this is a question of a real experience that transforms the interpreter. Peirce[3] Edmund HusserlMiguel de Unamuno [1].

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Sam przygotowal fundamenty dla swojej wlasnej socjologii. The game concept reveals the processual and hypersubjective nature of the truth of art; it also points out that art is a communicative phenomenon that involves participation.

International Journal of Philosophy 16 1: At the same time, there is still no answer to the question of whether the changes which have taken place in art have led to its rebirth in a completely new form or to a oretga. For Ortega y Gasset, vital reason is also “historical reason”, for individuals and societies are not detached from their past. Significant and noteworthy is the fact that they focused on the same concepts, which can be variously defined as, inter alia, tradition, play, and the meaning of art.

Ortega y Gasset, Dehumanizacja sztuki, p. Becoming acquainted with the rules of ,as game of the new art was, for Ortega y Gasset, essential.

Ortega y Gasset saw the new art as a kind of intellectual entertainment for selected individuals who undertook the solitary trouble of understanding it.