Alberto Ginastera. Cinco canciones populares argentinas (5 Popular Argentinian Songs), for voice and piano, Op. Composition Information ↓; Description. Ginastera, Alberto. Cinco canciones populares argentinas. Five Argentine Folk Songs op. 10 (). Voice and piano. Duration: 9′. Territory. This work is. Cinco canciones populares argentinas. Word count: Song Cycle by Alberto Ginastera ( – ). Show the texts alone (bare mode).
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Guitarrita de pino Cuerdas de alambre. Chacarera The chacarera from chacra”farm” is deeply rooted in the central pampas and the northern Argentine interior, with popular variations in Uruguay and Bolivia. aryentinas
5 Canciones Populares Argentinas
Cinco canciones populares argentinas are a set of five songs for voice and pianocomprising both entirely new compositions as well as new settings of existing melodieswritten in by Argentine composer Alberto Ginastera as his opus There may be a link between the chacarera and the chaconnewhich is described in The New Oxford Companion to Music as follows: I like the pug-nosed girls, and one has smitten me.
Triste [ sung text checked 1 time ] Language: The five songs are as follows: Rainy Day Relaxation Road Trip. Some composers used the same melody throughout the piece, repeating it in the manner of a ground bass.
In “Triste,” Ginastera adds to these characteristics a sense of improvisational abandon, accentuating the hopelessness in this traditional text. The five songs are as follows:. Jazz Latin New Age.
The playful rhythms of the chacarera, from which the first song takes its name, complement the lighthearted nature of the opening text: Both the vocal melody and the accompaniment are in C majorbut Ginastera “adds dissonance and dislocates tones horizontally to lend a polytonal cancciones to cancciones background, [and] in the instrumental interludes between vocal stanzas, there is a frank espousal of bitonalitysimilar to sections of the earlier Danzas Argentinas ” Wallace, Consequently, if “Triste” is to be performed in transpositionthe performers must consider the specific sonority of the E-A-D-G-B-E chord and whether it too should be transposed or left as written.
Compositions by Alberto Ginastera.
In Argentinathe militant revolutionary activity of the late s and early s solidified the power of politicians who, according to Aaron Coplandplaced musical policy entirely in the hands of “a small group of conservative musicians” Aaron Copland, “The Composers of South America,” Modern Music vol.
Harp Concerto Piano Concerto No.
The five songs of Ginastera’s opus 10 [ edit ] 1. In the wake of the milonga and its more famous urban descendant, ginxstera tangoit fell out of favor in the zones near Buenos Airesbut found new vitality populare the northern Argentine provinces and Bolivia.
The Latin American chacona had both instrumental and vocal accompaniment. In some passages “there is considerable use of extended tertian and polytonal arpeggiation underneath the melodic line” Wallace, The harmonization remains within the C major tonality of the repeating coupletwith dissonant embellishing and passing tones.
Cinco Canciones populares Argentinas | Oxford Lieder
It was disseminated as the triste by the payadores in the pampa during the nineteenth century, and, though lacking a set form, is characterized by a slow guitar introduction, melodia- recitativo with sparse accompaniment Popularees de la Musica Labored. Each song from Op. Complete Music for Cello and Piano. The playful rhythms of the chacarera, from which the first song takes its name, cwnciones the lighthearted nature of the opening text:.
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